The Weird and the Eerie

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The Weird and the Eerie

The Weird and the Eerie

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£9.9 FREE Shipping

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He wrote beautifully, of course, but the act of writing is secondary to his observation of the world, the ability to see the world aslant, to make of the the ordinary something extraordinary. Philosophers such as Graham Harman and Eugene Thacker have proposed a “weird realism” — a rival term to “object-oriented ontology” — that replaces Husserl or Heidegger with Horror. But this book feels like part of its treatise is to encourage an appreciation and the value of perhaps never quite being resolved, at least in our minds, and to appreciate the sensation that is the essence of the weird and the eerie.

Instead, I think of The Weird and the Eerie as one of those broken columns seen in Victorian graveyards, the emblem of a life and work suddenly and prematurely broken off. What motivates the birds to flock together in such implacable malignancy in Daphne du Maurier’s short story, or in Hitchcock’s re-Oedipalized adaptation? We are left in the wake of a vanishing, sensing an eerie present absence, a hooded figure watching from somewhere else.

He wrote three books, Capitalist Realism, Ghosts of My Life and The Weird and the Eerie, and was based at the Visual Cultures department at Goldsmiths, University of London.

The "time-shifts" that enable all this, it's hinted, originate in the traveler's present (the year 2020, which was Aldiss's future as the book was published in 1973), but near the end of the book, having followed the Creature into the far North (as Victor Frankenstein did in Shelley's novel), he encounters a setting that seems to negate a difference between past and future and that suggests the questions of "agency" and emptiness/presence that Fisher sees as intrinsic to "the eerie. For Fisher, the weird points towards ‘wrongness’, carefully pointing out that it is not the thing itself that is wrong, but rather our conception of the world.This explains the embrace of Lovecraft’s weird realism by philosophers challenging phenomenological paradigms, or leaning toward the radical end of “Thing Theory,” where things escape routine imprisonment inside the implicit hierarchy of the subject/object binary. Garner’s fiction implies a kind of compulsive repetition under British history, with sections based in Roman Britain, during the English Civil War, and in the present day. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The text famously leaves the solution to the disappearance of the schoolgirls in the Australian outback unresolved, and perhaps unsolvable because — maybe — they have stepped through a crack in reality itself, folded themselves or been folded into an elsewhere.



  • Fruugo ID: 258392218-563234582
  • EAN: 764486781913
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